{"id":681,"date":"2017-11-03T07:10:04","date_gmt":"2017-11-03T02:10:04","guid":{"rendered":"http:\/\/www.johnreidbennett.com\/radio\/?p=681"},"modified":"2017-12-19T03:09:39","modified_gmt":"2017-12-18T22:09:39","slug":"681","status":"publish","type":"post","link":"https:\/\/www.johnreidbennett.com\/radio\/2017\/11\/03\/681\/","title":{"rendered":"Playlist: Oct. 19, 2017"},"content":{"rendered":"

\"\"<\/span><\/span><\/p>\n

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    \n
  1. Honda<\/span>\u00a0by\u00a0Giuliano Sorgini<\/span>\u00a0on\u00a0Vroommm \u2013 Funk Cinematique<\/span>\u00a0(Plastic Records<\/span>,\u00a01999<\/span>)<\/li>\n
  2. Easy Mover<\/span>\u00a0by\u00a0Graham Walker<\/span>\u00a0on\u00a0KPM 1000: Progressive Pop<\/span>\u00a0(KPM Music<\/span>,\u00a01970<\/span>)<\/li>\n
  3. Next Stop L.A.<\/span>\u00a0by\u00a0Alan Hawkshaw\u00a0<\/span>on\u00a0Black Pearl<\/span>\u00a0(Music De Wolfe<\/span>,\u00a01972<\/span>)<\/li>\n
  4. Black Pearl<\/span>\u00a0by\u00a0Alan Parker<\/span>\u00a0on\u00a0Black Pearl<\/span>\u00a0(Music De Wolfe, 1972<\/span>,\u00a01972<\/span>)<\/li>\n
  5. Cactus<\/span>\u00a0by\u00a0Herbie Flowers<\/span>\u00a0on\u00a0Herbie\u2019s Stuff<\/span>\u00a0(Music De Wolfe<\/span>,\u00a01984<\/span>)<\/li>\n
  6. Gloaming<\/span>\u00a0by\u00a0Ludovic Decosne \/ Pierre Daubresse \/ Olivier Natal\u00a0<\/span>on\u00a0Little Bossa<\/span>(Music De Wolfe<\/span>,\u00a01972<\/span>)<\/li>\n
  7. Heavy Action<\/span>\u00a0by\u00a0Johnny Pearson<\/span>\u00a0on\u00a0PM 1000: Industrial Panorama<\/span>\u00a0(KPM<\/span>,\u00a01974<\/span>)<\/li>\n
  8. Tropical Club<\/span>\u00a0by\u00a0Alberto Balndan Bembo<\/span>\u00a0on\u00a0The Smart Set<\/span>\u00a0(Easy Tempo<\/span>,\u00a01998<\/span>)<\/li>\n
  9. Tropicola<\/span>\u00a0by\u00a0Stringtronics<\/span>\u00a0on\u00a0Mindbender<\/span>\u00a0(Southern Library Of Recorded Music<\/span>,\u00a01972<\/span>)<\/li>\n
  10. Brazillia<\/span>\u00a0by\u00a0Syd Dale<\/span>\u00a0on\u00a0KPM 1000 Series: Accent on Percussion<\/span>\u00a0(KPM Music, LTD<\/span>,\u00a01966<\/span>)<\/li>\n
  11. Brutus Drum<\/span>\u00a0by\u00a0Nino NARDINI\/EDDIE WARNER\/ROGER ROGER<\/span>\u00a0on\u00a0Studio Ganaro Space Oddities 1972-1982<\/span>\u00a0(Born Bad Records<\/span>,\u00a02016<\/span>)<\/li>\n
  12. Forgotten World<\/span>\u00a0by\u00a0Anthony King<\/span>\u00a0on\u00a0Barry 7\u2019s Connectors<\/span>\u00a0(Lo Recordings<\/span>,\u00a02001<\/span>)<\/li>\n
  13. Solar Flares<\/span>\u00a0by\u00a0Sven Libaek<\/span>\u00a0on\u00a0Barry 7\u2019s Connectors\u00a0<\/span>(Lo Records<\/span>,\u00a02001<\/span>)<\/li>\n
  14. Funky Express (Re-Edit)<\/span>\u00a0by\u00a0Duncan Lamont<\/span>\u00a0on\u00a0Music For Dancefloors: The KPM Music Library<\/span>\u00a0(Strut<\/span>,\u00a02013<\/span>)<\/li>\n
  15. Molecule Dance<\/span>\u00a0by\u00a0Bernard Fevre<\/span>\u00a0on\u00a0Black Devil Disco Club Presents: The Strange New World of Bernard Fevre<\/span>\u00a0(Lo Recordings<\/span>,\u00a02009<\/span>)<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

      Honda\u00a0by\u00a0Giuliano Sorgini\u00a0on\u00a0Vroommm \u2013 Funk Cinematique\u00a0(Plastic Records,\u00a01999) Easy Mover\u00a0by\u00a0Graham Walker\u00a0on\u00a0KPM 1000: Progressive Pop\u00a0(KPM Music,\u00a01970) Next Stop L.A.\u00a0by\u00a0Alan Hawkshaw\u00a0on\u00a0Black Pearl\u00a0(Music De Wolfe,\u00a01972) Black Pearl\u00a0by\u00a0Alan Parker\u00a0on\u00a0Black Pearl\u00a0(Music De Wolfe, 1972,\u00a01972) Cactus\u00a0by\u00a0Herbie Flowers\u00a0on\u00a0Herbie\u2019s Stuff\u00a0(Music De Wolfe,\u00a01984) Gloaming\u00a0by\u00a0Ludovic Decosne \/ Pierre Daubresse \/ Olivier Natal\u00a0on\u00a0Little Bossa(Music De Wolfe,\u00a01972) Heavy Action\u00a0by\u00a0Johnny Pearson\u00a0on\u00a0PM 1000: Industrial Panorama\u00a0(KPM,\u00a01974) Tropical Club\u00a0by\u00a0Alberto Balndan Bembo\u00a0on\u00a0The Smart […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-681","post","type-post","status-publish","format-standard","hentry","category-setlists"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s7spE7-681","_links":{"self":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/comments?post=681"}],"version-history":[{"count":7,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/681\/revisions"}],"predecessor-version":[{"id":736,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/681\/revisions\/736"}],"wp:attachment":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/media?parent=681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/categories?post=681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/tags?post=681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}