{"id":758,"date":"2018-02-02T08:44:17","date_gmt":"2018-02-02T03:44:17","guid":{"rendered":"http:\/\/www.johnreidbennett.com\/radio\/?p=758"},"modified":"2018-08-19T21:28:24","modified_gmt":"2018-08-19T16:28:24","slug":"playlist-feb-1-2018","status":"publish","type":"post","link":"https:\/\/www.johnreidbennett.com\/radio\/2018\/02\/02\/playlist-feb-1-2018\/","title":{"rendered":"Here it is Tomorrow: Feb. 1, 2018"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-759\" src=\"https:\/\/i0.wp.com\/www.johnreidbennett.com\/radio\/wp-content\/uploads\/2018\/02\/Con-Todo-El-Mundo.jpg?resize=700%2C700\" alt=\"\" width=\"700\" height=\"700\" srcset=\"https:\/\/i0.wp.com\/www.johnreidbennett.com\/radio\/wp-content\/uploads\/2018\/02\/Con-Todo-El-Mundo.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/www.johnreidbennett.com\/radio\/wp-content\/uploads\/2018\/02\/Con-Todo-El-Mundo.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.johnreidbennett.com\/radio\/wp-content\/uploads\/2018\/02\/Con-Todo-El-Mundo.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.johnreidbennett.com\/radio\/wp-content\/uploads\/2018\/02\/Con-Todo-El-Mundo.jpg?resize=220%2C220&amp;ssl=1 220w, https:\/\/i0.wp.com\/www.johnreidbennett.com\/radio\/wp-content\/uploads\/2018\/02\/Con-Todo-El-Mundo.jpg?resize=50%2C50&amp;ssl=1 50w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-758-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.johnreidbennett.com\/radio\/wp-content\/uploads\/2018\/02\/2018-2-1-HIIT.mp3?_=1\" \/><a href=\"http:\/\/www.johnreidbennett.com\/radio\/wp-content\/uploads\/2018\/02\/2018-2-1-HIIT.mp3\">http:\/\/www.johnreidbennett.com\/radio\/wp-content\/uploads\/2018\/02\/2018-2-1-HIIT.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<ol>\n<li><span class=\"creek-track-title\">&#8220;August 10&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">Khruangbin<\/span>\u00a0on <em>C<\/em><span class=\"creek-track-album\"><em>on<\/em> <em>Todo El Mundo<\/em><\/span>\u00a0(<span class=\"creek-track-label\">Night Time Stories Ltd.<\/span>,\u00a0<span class=\"creek-track-year\">2018<\/span>)<\/li>\n<li><span class=\"creek-track-title\">&#8220;The Look of Love&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">Dorothy Ashby<\/span>\u00a0on\u00a0<em><span class=\"creek-track-album\">Afro-Harping<\/span><\/em>\u00a0(<span class=\"creek-track-label\">Cadet Records<\/span>,\u00a0<span class=\"creek-track-year\">1968)<\/span><\/li>\n<li><span class=\"creek-track-title\">&#8220;Afro-Love&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">The Lafayette Afro-Rock Band<\/span>\u00a0on<em>\u00a0<span class=\"creek-track-album\">Afon- 10 Unreleased Afro Funk Recordings (1971-1974)<\/span><\/em>\u00a0(<span class=\"creek-track-label\">Superclasse<\/span>,\u00a0<span class=\"creek-track-year\">1999<\/span>)<\/li>\n<li><span class=\"creek-track-title\">&#8220;August&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">Love<\/span>\u00a0on\u00a0<em><span class=\"creek-track-album\">Four Sale<\/span><\/em>\u00a0(<span class=\"creek-track-label\">Elektra<\/span>,\u00a0<span class=\"creek-track-year\">1969<\/span>)<\/li>\n<li><span class=\"creek-track-title\">&#8220;Share A Pillow&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">Field Music<\/span>\u00a0on\u00a0<em><span class=\"creek-track-album\">Open Here<\/span><\/em>\u00a0(<span class=\"creek-track-label\">Memphis Industries<\/span>,\u00a0<span class=\"creek-track-year\">2018<\/span>)<\/li>\n<li><span class=\"creek-track-title\">&#8220;In the Mirror&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">Field Music<\/span>\u00a0on\u00a0<em><span class=\"creek-track-album\">Field Music (Measure)<\/span><\/em>\u00a0(<span class=\"creek-track-label\">Memphis Industries<\/span>,\u00a0<span class=\"creek-track-year\">2010<\/span>)<\/li>\n<li><span class=\"creek-track-title\">&#8220;Voices In The Field&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">Calexico<\/span>\u00a0on\u00a0<em><span class=\"creek-track-album\">The Thread That Keeps Us\u00a0<\/span><\/em>(<span class=\"creek-track-label\">Anti-<\/span>,\u00a0<span class=\"creek-track-year\">2018<\/span>)<\/li>\n<li><span class=\"creek-track-title\">&#8220;Cruel&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">Calexico<\/span>\u00a0on\u00a0<em><span class=\"creek-track-album\">Garden Ruin<\/span><\/em>\u00a0(<span class=\"creek-track-label\">Quarterstick Records<\/span>,\u00a0<span class=\"creek-track-year\">2006<\/span>)<\/li>\n<li><span class=\"creek-track-title\">&#8220;No Regresso&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">Combo Chimbita<\/span>\u00a0on\u00a0<em><span class=\"creek-track-album\">Abya Yala<\/span><\/em>\u00a0(<span class=\"creek-track-label\">Figure &amp; Ground<\/span>,\u00a0<span class=\"creek-track-year\">2017<\/span>)<\/li>\n<li><span class=\"creek-track-title\">&#8220;Gold Rush&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">Yonatan Gat<\/span>\u00a0on\u00a0<em><span class=\"creek-track-album\">Director<\/span><\/em>\u00a0(<span class=\"creek-track-label\">Joyful Noise Recordings<\/span>,\u00a0<span class=\"creek-track-year\">2015<\/span>)<\/li>\n<li><span class=\"creek-track-title\">&#8220;Portuguese Door&#8221;<\/span>\u00a0by\u00a0<span class=\"creek-track-artist\">David Barbe<\/span>\u00a0on\u00a0<em><span class=\"creek-track-album\">10th of Seas<\/span><\/em>\u00a0(<span class=\"creek-track-label\">Orange Twin<\/span>,\u00a0<span class=\"creek-track-year\">2017<\/span>)<\/li>\n<li>&#8220;Together&#8221; by Hollie Cook on <em>Vessel of Love<\/em> (Merge, 2018)<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &#8220;August 10&#8221;\u00a0by\u00a0Khruangbin\u00a0on Con Todo El Mundo\u00a0(Night Time Stories Ltd.,\u00a02018) &#8220;The Look of Love&#8221;\u00a0by\u00a0Dorothy Ashby\u00a0on\u00a0Afro-Harping\u00a0(Cadet Records,\u00a01968) &#8220;Afro-Love&#8221;\u00a0by\u00a0The Lafayette Afro-Rock Band\u00a0on\u00a0Afon- 10 Unreleased Afro Funk Recordings (1971-1974)\u00a0(Superclasse,\u00a01999) &#8220;August&#8221;\u00a0by\u00a0Love\u00a0on\u00a0Four Sale\u00a0(Elektra,\u00a01969) &#8220;Share A Pillow&#8221;\u00a0by\u00a0Field Music\u00a0on\u00a0Open Here\u00a0(Memphis Industries,\u00a02018) &#8220;In the Mirror&#8221;\u00a0by\u00a0Field Music\u00a0on\u00a0Field Music (Measure)\u00a0(Memphis Industries,\u00a02010) &#8220;Voices In The Field&#8221;\u00a0by\u00a0Calexico\u00a0on\u00a0The Thread That Keeps Us\u00a0(Anti-,\u00a02018) &#8220;Cruel&#8221;\u00a0by\u00a0Calexico\u00a0on\u00a0Garden Ruin\u00a0(Quarterstick Records,\u00a02006) &#8220;No Regresso&#8221;\u00a0by\u00a0Combo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-758","post","type-post","status-publish","format-standard","hentry","category-setlists"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7spE7-ce","_links":{"self":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/comments?post=758"}],"version-history":[{"count":5,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/758\/revisions"}],"predecessor-version":[{"id":899,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/758\/revisions\/899"}],"wp:attachment":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/media?parent=758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/categories?post=758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/tags?post=758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}