{"id":772,"date":"2018-02-16T08:09:31","date_gmt":"2018-02-16T03:09:31","guid":{"rendered":"http:\/\/www.johnreidbennett.com\/radio\/?p=772"},"modified":"2018-08-19T21:27:55","modified_gmt":"2018-08-19T16:27:55","slug":"here-it-is-tomorrow-feb-15-2018","status":"publish","type":"post","link":"https:\/\/www.johnreidbennett.com\/radio\/2018\/02\/16\/here-it-is-tomorrow-feb-15-2018\/","title":{"rendered":"Here it is Tomorrow: Feb. 15, 2018"},"content":{"rendered":"

\"\"<\/p>\n

    \n
  1. “Cicada”<\/span>\u00a0by\u00a0La Luz<\/span>\u00a0on\u00a0Floating Features<\/span><\/em>\u00a0(Hardly Art<\/span>,\u00a02018)<\/span><\/li>\n
  2. “Call Me in the Day” by La Luz<\/span>\u00a0on\u00a0It\u2019s Alive<\/span><\/em>\u00a0(Hardly Art<\/span>,\u00a02013<\/span>)<\/li>\n
  3. “Clean”<\/span>\u00a0by\u00a0Soccer Mommy<\/span>\u00a0on\u00a0Still Clean<\/span><\/em>\u00a0(Fat Possum Records<\/span>,\u00a02018<\/span>)<\/li>\n
  4. “Lemon Glow”<\/span>\u00a0by\u00a0Beach House<\/span>\u00a0(Single) (\u00a0Sub Pop<\/span>,\u00a02018<\/span>)<\/li>\n
  5. “What A Time To Be Alive”<\/span>\u00a0by\u00a0Superchunk<\/span>\u00a0on\u00a0What A Time To Be Alive<\/em> <\/span>(Merge<\/span>,\u00a02018)<\/span><\/li>\n
  6. “Hyper Enough”<\/span>\u00a0by\u00a0Superchunk<\/span>\u00a0on\u00a0Here\u2019s Where The Strings Come In<\/span><\/em>\u00a0(Merge<\/span>,\u00a01995<\/span>)<\/li>\n
  7. “Web In Front”<\/span>\u00a0by\u00a0Archers of Loaf<\/span>\u00a0on\u00a0Icky Mettle<\/span><\/em>\u00a0(Alias<\/span>,\u00a01993<\/span>)<\/li>\n
  8. “Harnessed In Slums”<\/span>\u00a0by\u00a0Archers of Loaf<\/span>\u00a0on\u00a0Vee Vee<\/span><\/em>\u00a0(Alias<\/span>,\u00a01995<\/span>)<\/li>\n
  9. “Gift”<\/span>\u00a0by\u00a0Sugar<\/span>\u00a0on\u00a0File Under: Easy Listening<\/span><\/em>\u00a0(RykoDisc<\/span>,\u00a01994<\/span>)<\/li>\n
  10. “A Good Idea”<\/span>\u00a0by\u00a0Sugar<\/span>\u00a0on\u00a0Copper Blue<\/em>\u00a0<\/span>(RykoDisc<\/span>,\u00a01992<\/span>)<\/li>\n
  11. “It\u2019s Serious”<\/span>\u00a0by\u00a0Orgone<\/span>\u00a0on\u00a0Undercover Mixtape<\/span><\/em>\u00a0(Colemine Records<\/span>,\u00a02017<\/span>)<\/li>\n
  12. \u00a0“Greet The Dawn”<\/span>\u00a0by\u00a0The Souljazz Orchestra<\/span>\u00a0on\u00a0Resistance<\/span>\u00a0<\/em>(Strut<\/span>,\u00a02015<\/span>)<\/li>\n
  13. \u00a0“Hollywood”<\/span>\u00a0by\u00a0Cluster<\/span>\u00a0on\u00a0Deutsche Elektronische Musik 3<\/span><\/em>\u00a0(Soul Jazz<\/span>,\u00a02018<\/span>)<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    “Cicada”\u00a0by\u00a0La Luz\u00a0on\u00a0Floating Features\u00a0(Hardly Art,\u00a02018) “Call Me in the Day” by La Luz\u00a0on\u00a0It\u2019s Alive\u00a0(Hardly Art,\u00a02013) “Clean”\u00a0by\u00a0Soccer Mommy\u00a0on\u00a0Still Clean\u00a0(Fat Possum Records,\u00a02018) “Lemon Glow”\u00a0by\u00a0Beach House\u00a0(Single) (\u00a0Sub Pop,\u00a02018) “What A Time To Be Alive”\u00a0by\u00a0Superchunk\u00a0on\u00a0What A Time To Be Alive (Merge,\u00a02018) “Hyper Enough”\u00a0by\u00a0Superchunk\u00a0on\u00a0Here\u2019s Where The Strings Come In\u00a0(Merge,\u00a01995) “Web In Front”\u00a0by\u00a0Archers of Loaf\u00a0on\u00a0Icky Mettle\u00a0(Alias,\u00a01993) “Harnessed In Slums”\u00a0by\u00a0Archers of Loaf\u00a0on\u00a0Vee Vee\u00a0(Alias,\u00a01995) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-772","post","type-post","status-publish","format-standard","hentry","category-setlists"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7spE7-cs","_links":{"self":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/comments?post=772"}],"version-history":[{"count":3,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/772\/revisions"}],"predecessor-version":[{"id":897,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/772\/revisions\/897"}],"wp:attachment":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/media?parent=772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/categories?post=772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/tags?post=772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}