{"id":809,"date":"2018-04-06T07:08:52","date_gmt":"2018-04-06T02:08:52","guid":{"rendered":"http:\/\/www.johnreidbennett.com\/radio\/?p=809"},"modified":"2018-08-19T21:26:35","modified_gmt":"2018-08-19T16:26:35","slug":"playlist-march-29-2018","status":"publish","type":"post","link":"https:\/\/www.johnreidbennett.com\/radio\/2018\/04\/06\/playlist-march-29-2018\/","title":{"rendered":"Here it is Tomorrow: March 29, 2018"},"content":{"rendered":"

\"\"<\/p>\n

    \n
  1. \u00a0“Beam Me Up”<\/span>\u00a0by\u00a0Gloria<\/span>\u00a0on\u00a0In Excelsis Stereo<\/em><\/span>\u00a0(Howlin\u2019 Banana Records<\/span>,\u00a02016<\/span>)<\/li>\n
  2. “Nedayeh Bahar”<\/span>\u00a0by\u00a0Habibi<\/span>\u00a0on\u00a0Cardamon Garden<\/span><\/em>\u00a0(Modern Sky USA<\/span>,\u00a02018<\/span>)<\/li>\n
  3. “Far From Right”<\/span>\u00a0by\u00a0Habibi<\/span>\u00a0on\u00a0Habibi<\/span><\/em>\u00a0(Burger Records<\/span>,\u00a02013<\/span>)<\/li>\n
  4. “California Finally”<\/span>\u00a0by\u00a0La Luz<\/span>\u00a0on\u00a0Floating Features<\/span><\/em>\u00a0(Hardly Art<\/span>,\u00a02018<\/span>)<\/li>\n
  5. “Yamamoto Kakapote”<\/span>\u00a0by\u00a0Yamasuki<\/span>\u00a0on\u00a0Le Monde Fabuleux Des Yamasuki<\/span>\u00a0<\/em>(Belter<\/span>,\u00a01971<\/span>)<\/li>\n
  6. “Feed Me Magnetic Rain”<\/span>\u00a0by\u00a0Cavern Of Anti-Matter<\/span>\u00a0on\u00a0Hormone Lemonade<\/span><\/em>\u00a0(Duophonic Ultra High Frequency Disks<\/span>,\u00a02018<\/span>)<\/li>\n
  7. “Shortwave”<\/span>\u00a0by\u00a0Yo La Tengo<\/span>\u00a0on\u00a0There\u2019s A Riot Going On<\/span><\/em>\u00a0(Matador<\/span>,\u00a02018<\/span>)<\/li>\n
  8. “High Pitch Polytone Example 2”<\/span>\u00a0by\u00a0The Conet Project<\/span>\u00a0on\u00a0Recordings Of Shortwave Numbers Stations<\/span><\/em>\u00a0(Irdial Discs<\/span>,\u00a01997<\/span>)<\/li>\n
  9. “Phonetic Alphabet (NATO Example 3)”<\/span>\u00a0by\u00a0The Conet Project<\/span>\u00a0on\u00a0Recordings Of Shortwave Numbers Stations<\/span><\/em>\u00a0(Irdial Discs<\/span>,\u00a01997<\/span>)<\/li>\n
  10. “All Night Radio”<\/span>\u00a0by\u00a0All Night Radio<\/span>\u00a0on\u00a0Split Stereo Frequency<\/span>\u00a0<\/em>(Sub Pop<\/span>,\u00a02004<\/span>)<\/li>\n
  11. “Turn Around”<\/span>\u00a0by\u00a0Dungen & Woods<\/span>\u00a0on\u00a0Myths 003<\/span><\/em>\u00a0(Mexican Summer<\/span>,\u00a02018<\/span>)<\/li>\n
  12. “Bleeding Blue” by Woods<\/span>\u00a0on\u00a0Love is Love<\/span><\/em>\u00a0(Woodsist<\/span>,\u00a02017<\/span>)<\/li>\n
  13. “Fredag”<\/span>\u00a0by\u00a0Dungen<\/span>\u00a0on\u00a04<\/span><\/em>\u00a0(Kemado Records<\/span>,\u00a02008<\/span>)<\/li>\n
  14. “Azzaman”<\/span>\u00a0by\u00a0Imarhan<\/span>\u00a0on\u00a0Temet<\/span><\/em>\u00a0(City Slang<\/span>,\u00a02018<\/span>)<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    \u00a0“Beam Me Up”\u00a0by\u00a0Gloria\u00a0on\u00a0In Excelsis Stereo\u00a0(Howlin\u2019 Banana Records,\u00a02016) “Nedayeh Bahar”\u00a0by\u00a0Habibi\u00a0on\u00a0Cardamon Garden\u00a0(Modern Sky USA,\u00a02018) “Far From Right”\u00a0by\u00a0Habibi\u00a0on\u00a0Habibi\u00a0(Burger Records,\u00a02013) “California Finally”\u00a0by\u00a0La Luz\u00a0on\u00a0Floating Features\u00a0(Hardly Art,\u00a02018) “Yamamoto Kakapote”\u00a0by\u00a0Yamasuki\u00a0on\u00a0Le Monde Fabuleux Des Yamasuki\u00a0(Belter,\u00a01971) “Feed Me Magnetic Rain”\u00a0by\u00a0Cavern Of Anti-Matter\u00a0on\u00a0Hormone Lemonade\u00a0(Duophonic Ultra High Frequency Disks,\u00a02018) “Shortwave”\u00a0by\u00a0Yo La Tengo\u00a0on\u00a0There\u2019s A Riot Going On\u00a0(Matador,\u00a02018) “High Pitch Polytone Example 2”\u00a0by\u00a0The Conet Project\u00a0on\u00a0Recordings Of Shortwave Numbers […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-809","post","type-post","status-publish","format-standard","hentry","category-setlists"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7spE7-d3","_links":{"self":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/comments?post=809"}],"version-history":[{"count":4,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/809\/revisions"}],"predecessor-version":[{"id":893,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/posts\/809\/revisions\/893"}],"wp:attachment":[{"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/media?parent=809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/categories?post=809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johnreidbennett.com\/radio\/wp-json\/wp\/v2\/tags?post=809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}